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| idvrxjdx a écrit le
Mercredi 20 Mai à 2015 18:40 : |
| There was in any way concerned with him, <a href="http://www.extracashloan.co.za">pay day loans</a> <a href=http://www.extracashloan.co.za>online loans</a> quick loans south africa http://www.extracashloan.co.za that if they had wanted to. |
| WinstonRew a écrit le
Mercredi 20 Mai à 2015 17:3 : |
| Known for its classic http://www.prmconcrete.com/c-4_17.html British style, Paul Smith has been producing top quality menswear with a consentrate on simple cut and high-class fabrics for over forty years. Since its first catwalk demonstrate in 1976, the brand has employed an actual sense of humour along with mischief, with designs often integrating splashes of vibrant coloring and pattern alongside excellent tailoring and classic form. This theme of bringing up-to-date classic design with modern cuts and unexpected details is now http://www.ncgvg.com/c-24_54.html a much imitated trend mainstay. There’s something about Excellent British design that resonates around any man’s wardrobe, and we’re not just referring to the classic tailoring, or the quintessentially Indian stiff upper lip style. The Paul Smith Skinny jeans Collection for Spring Summer ’14 comprises both present day and classic pieces, offering innovative designs for those denim and street dress yourself in enthusiasts, injecting some much necessary colour and personality inside your wardrobe after a long and uncompromising Winter period.We see the mischievous side belonging to the brand’s eponymous founder, with playful prints along with http://www.carolijabg.com/c-16.html popping colourways across all tasks of the collection. For Spring Summer ’14, Paul Smith Jeans uses inspiration from Sun Ra, one of the the majority of renowned avant-garde jazz musicians belonging to the 20th century. His flamboyant and dazzling style is portrayed by cosmic prints and polka dept . of transporation graphics, seen here at Woodhouse throughout our range of Paul Cruz Jeans sweatshirts and Paul Smith polo shirts, and in the Paul Cruz Jeans Navy Patterned Shirt. We’re proud to introduce Paul Smith to our own brand portfolio at Woodhouse. Check out the selection and freshen up your wardrobe http://www.juliealles.net/c-59_31_32_53.html for any Spring, with lines from the Paul Smith Jeans, PS Paul Smith, Paul Smith Shoes and Paul Smith Accessories Choices, you’ll not be frustrated.The diffusion line belonging to the men’s catwalk collection, PS Paul Smith catches its essence season immediately after season, offering an all-encompassing wardrobe for every stylish gent. For Spring Summer months ’14, the silhouette is assembled, with minimal top stitching and panelled angular prints hinting for the sportier elements seen along the Paul Smith collections that season. Our Woodhouse buyer’s pick for Spring is the PS Paul Smith Black Leather Bomber Jacket. Constructed from soft lambs’ leather |
| WinstonRew a écrit le
Mercredi 20 Mai à 2015 11:51 : |
| The newest Albemarle Street shop entrance for Paul Smith builds for a familiar material tradition working in london. Cast iron forms an understated background towards the city’s streets; its railings, gratings, balconies, and lamp posts. Paul’s brief was a great eclectic collection of referrals, images, textures and traditions, encompassing military medals, woven hats and finely drawn gold ingots alongside sharp tailoring, the soft fall of cloth, craftsmanship and delight around surprise. How these disparate influences might obtain the restraint needed to engage with the neighbourhood simultaneously as contributing to it has the future identity was crucial, in doing so presenting a rare resistance towards the increasingly homogenous global high street.The ground floor rustication of Georgian townhouses along with the ornamental language of 18th century shop fronts were reinterpreted and abstracted from a sinuous pattern of interlocking circles cast right into a new solid iron fa? ade. The repetition of the particular typical Regency shape delivered an optical complexity which usually, with the play of sunlight and shadow, turns the pattern right deep surface texture. Seen obliquely it seems woven, like a fine fabric. The surface is further enlivened through the latent makers’ marks in the casting process and the natural patination in the cast iron. A more intimate discovery has been to be made in the trio of small drawings by Paul hired directly into panels scattered through the fa? Curved windows project on the darkly textured iron since luminous vitrines, with a nod into the curved glass of this nearby arcades. A secret door of stained oak lies flush with the cast iron panels: the inverted carving of the timber recalls the mould and sand bed prepared for any molten metal. The cast iron panels curve in the recessed oak entrance entry, a gently bowed flat iron step evokes worn aside treads. Over time, the iron threshold will certainly polish under foot, recording the life on the building in its fabric.
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| WinstonRew a écrit le
Mercredi 20 Mai à 2015 11:1 : |
| There's no point mincing words and phrases:<a href=http://www.prmconcrete.com/c-4_12.html>キッズ収納ボックス</a> This was a really weird Paul Smith exhibit. Sir Paul seemed for taking a "see what sticks" method of his womenswear this months, throwing a plethora of ideas at the figurative wall. The ideas themselves lose interest no self-evident relationship to one another, with each concept working well in a few cases but not in lots of others. For instance, Melissa Tammerijn looked pretty terrific in some lean, cobalt blue, geometric-print pants; that was the first and last time Smith had a hit considering the blue print. Yet his success amount <a href=http://www.ncgvg.com/c-24_54_80.html>その他</a> was way higher considering the same print in hot red: It came off well in a very short, fitted minidress, and made for your high-impact bonded lining with a mannish black overcoat. You had to speculate: What was going about here? The same logic, or lack thereof, applied to the fluttery details on numerous silk blouses, and to the sparkly looks embossed with architectural visual effect. It was interesting to view Smith experiment with techie materials and new printing processes and silhouettes, and some of the architectural pieces had a lot of charm. But as a total, they didn't seem to fit into the Paul Smith idiom by any means.<a href=http://www.carolijabg.com/c-6.html>JORDAN XX8</a> Naturally, Smith was on firmer ground together with his menswear-inspired tailoring. There were two major trouser silhouettes this time: a cropped, tapered pant with a large number of volume, and a short shape that was slouchier and more boyish. Neither was particularly innovative, but they worked very well to ground the appearance. Meanwhile, Smith's confidence with colouring really came through throughout his tailoring, as he refreshed comparable ensembles by recombining colorations in various painterly techniques. The collection's other muscle was its outerwear, especially the oversize navy shearling motorcycle jacket using electric blue trim plus the abbreviated, boxy peacoat in bright and navy. Amid all the experimental <a href=http://www.juliealles.net/c-120_162_180.html>バッグ</a> pyrotechnics here, it was the simple look that matched the peacoat with some bright blue boyish trousers that embark the biggest bang this evening. It's tempting to name that weird, but as a make any difference of fact, it's not.What’s in a prefix? The non- of non-philosophy, as Anthony frequently reminds individuals, is the same because the non- of non-Euclidean geometry or perhaps the non- of non-standard physics. Indeed, Laruelle, it seems, has taken to mentioning this as non-standard philosophy rather then simply non-philosophy. The non- is possibly not, therefore, an anti- or an un-, it does not imply either an oppositional discourse, or a mark of being outside as well as other. In the same approach that non-Euclidean geometry is still geometry, or that people implementing non-standard physics still observe themselves as physicists. |
| WinstonRew a écrit le
Mercredi 20 Mai à 2015 10:26 : |
| The brand new Albemarle Street shop entrance for Paul Smith builds on the familiar material tradition working in london. Cast iron forms an understated background towards the city’s streets; its railings, gratings, balconies, and lamp posts. Paul’s brief was the eclectic collection of suggestions, images, textures and traditions, encompassing military medals, woven hats and finely shown gold ingots alongside sharpened tailoring, the soft fall regarding cloth, craftsmanship and delight around surprise. How these disparate influences might obtain the restraint needed to hire with the neighbourhood at the same time as contributing to it is future identity was major, in doing so providing a rare resistance on the increasingly homogenous global street.The ground floor rustication of Georgian townhouses and the ornamental language of 18th century shop fronts have been reinterpreted and abstracted in a very sinuous pattern of interlocking circles cast right into a new solid iron fa? ade. The repetition of the typical Regency shape added an optical complexity which in turn, with the play of sunlight and shadow, turns the pattern suitable deep surface texture. Seen obliquely it appears woven, like a fine cloth. The surface is further enlivened by latent makers’ marks belonging to the casting process and the natural patination from the cast iron. A more intimate discovery is usually to be made in the trio of small drawings by Paul cast directly into panels scattered across the fa? Curved windows project on the darkly textured iron since luminous vitrines, with a nod towards the curved glass of the nearby arcades. A secret door of stained oak lies flush with all the cast iron panels: the inverted carving from the timber recalls the mildew and sand bed prepared with the molten metal. The cast iron panels curve in the recessed oak entrance entry, a gently bowed iron bars step evokes worn away treads. Over time, the iron threshold may polish under foot, recording the life from the building in its stuff.
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